The Audio Museum


Best Blues Players

Forgotten Classic

This is one of those songs I heard way way back in the day and fell in love with it the first time I heard it, but I hardly ever heard it since then. An old, but not so old friend of mine on FB posted it this last week and it really struck me how great it was all over again. I love how music has the power to do that. So I just wanted to share it with all of you.

Thanks Karla.


Robin Leonard Trower (born 9 March 1945) is an English rock guitarist and vocalist who achieved success with Procol Harum during the 1960s, and then again as the bandleader of his own power trio.

Bridge of Sighs is the second solo album by the English guitarist and songwriter Robin Trower. It was released in 1974. Bridge of Sighs, his second album after leaving Procol Harum, was a breakthrough album for Trower. Songs from this album, such as “Bridge of Sighs”, “Too Rolling Stoned”, “Day of the Eagle”, and “Little Bit of Sympathy”, have become live concert staples for Trower.

The album was produced by organist Matthew Fisher, formerly Trower’s bandmate in Procol Harum. Acclaimed Beatles engineer Geoff Emerick was this album’s sound engineer.

In a recent interview in Guitar World, Robin Trower explained how the album got its title. Robin said that he had had the first line of the song for years and then one day he saw some sport pages which listed a racehorse called Bridge of Sighs and thought that would be a great title.

Bridge of Sighs (Chrysalis 1057) reached #7 in the United States during a chart stay of 31 weeks. It was certified Gold on 10 September 1974. Early printings of the original album cover had the front image upside-down, and were more greenish in colour.

The title track was covered by Opeth for the special edition of their 2008 album Watershed.

“Day of the Eagle” was covered by Billy Idol guitarist Steve Stevens on his 3rd solo album Memory Crash. Tesla also covered the song on their 2007 “Real to Reel” album as did Armored Saint on their “Nod to the Old School” record.









This is Bridge of Sighs.


No.10 TAM’s Top 15 Best Blues Songs of All Time

Well we just can’t stay away from these old blues here at The Audio Museum. We love’em we really do. And it sure feels good to finally break into the top ten, now we’re getting somewhere!

After digging deeper into the roots of the blues I came across this gem by Otis Rush called Double Trouble. He wrote and and recorded the song in 1958. And yes Stevie Ray Vaughan eventually renamed his band The Triple Threat Revue to Double Trouble (named after this song) on firing one of his guitarists and female lead singer.


“Double Trouble” is a slow tempo twelve-bar blues notated in 12/8 time in the key of D minor. “The song’s underlying air of quiet desperation stretched to the breaking point is enhanced by brilliant use of dynamics and some truly mind-boggling, strangled guitar fills near the end.” According to Otis Rush, the song’s title was inspired by a comment by a woman upon viewing her hand during a card game “trouble, trouble, trouble, trouble, double troubles”.

The song was produced by Willie Dixon and features Rush (guitar and vocal), Dixon (bass), Ike Turner (guitar), Little Brother Montgomery (piano), Harold Ashby and Jackie Brenston (saxophones), and Billy Gayles (drums). Although Rush plays the lead guitar introduction to the song, Turner plays the signature vibrato guitar parts. In 1986, Rush recorded a live version of the song for Blues Interaction – Live in Japan 1986, which was released in 1989.

In 2008, Rush’s original version was inducted into the Blues Foundation Hall of Fame, who called it a “minor-key masterpiece”



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